#AUTO TUNE EFX 3 VS AUTO TUNE LIVE FULL#
#AUTO TUNE EFX 3 VS AUTO TUNE LIVE SOFTWARE#
#AUTO TUNE EFX 3 VS AUTO TUNE LIVE PROFESSIONAL#

#AUTO TUNE EFX 3 VS AUTO TUNE LIVE FULL#

EDM music would take full advantage of that feature, but for now, itвЂ™s easy enough to scale the single note in Auto-Motion and put it back into AutoTune7 or Melodyne and create harmonies from there. One thing I wish they would add to the Auto-Motion pattern is the ability to harmonize the pattern, giving you a rhythmic вЂњbackground harmonyвЂќ track. They actually pair quite nicely and now that the pitch correction algorithm is improved, it works as a great subtle polishing tool. Sometimes I would even do a fast Melodyne edit on vocal tracks and let Antares take control of the drift and attack settings. I found with EFX 2, I used it more for that вЂњpoppyвЂќ sounding hard tune effect but with EFX 3, I was frequently using it on vocalist who didnвЂ™t need Melodyne. I will say the performance of the pitch correction actually is a big improvement from EFX 2. ItвЂ™s a very easy to use program that does most of the work for you. This can add movement to background tracks in limitless scale and rhythmic possibilities. Editing the patterns are fairly straight-forward but just be careful placing files into the database lest you overwrite all of the stock patterns Auto-Tune supplies.

#AUTO TUNE EFX 3 VS AUTO TUNE LIVE SOFTWARE#

EFX 3 carries over EFX 2вЂ™s Auto-Motion pattern editing with any software that allows editing of MusicXML files.

#AUTO TUNE EFX 3 VS AUTO TUNE LIVE PROFESSIONAL#

In a more professional use, it is perfect for synth leads and even guitar solos (try it). Perfect for those times when you need to keep someone on their toes. Just throw an arpeggio in the pattern selector and press the trigger button, and on a nice long note, your vocalist will get a nice surprise. This was one of my favorite things to use in the studio when fatigue would set in on a session and the vocalist needed a little jolt. The вЂњRetune SpeedвЂќ is responsible for how subtle or verbose the correction attack and tune algorithm works and the вЂњHumanizeвЂќ slider adds a little leeway in the long notes, giving you more natural variation of pitch drift in longer notes.ДЄnother fun feature that came about in EFX 2 was the Auto-Motion bar across the bottom that offers selectable scales and patterns, that when triggered, retune the signal in a rhythmic pattern. Instead of just having a slider bar that lets you chose between 3 choices of pitch correction, Antares have added 2 slider bars that allow you to fine tune the exact amount of correction across the track. It has also included an AAX64 version to move it on up to ProTools 11 standards. IвЂ™ve owned Auto-Tune EFX 2 and found it to be used more as an вЂњautopilotвЂќ effect based plugin, but EFX 3 seems to have improvements and more controls. It is a scaled back version that can be used in either live or post environments and acts more as tool for either polishing vocal tracksвЂ™ pitch or as an effect. WeвЂ™ve all seen the Double Rainbow videoвЂ¦ I meanвЂ¦ cвЂ™mon.ДЄuto-Tune EFX 3 is obviously AntaresвЂ™ third revision of the lighter version of the full blown AutoTune7 software.

There have been plenty of examples of this plugin being used for extremely innovative projects. I donвЂ™t see people blaming Paul Mitchell for all these obnoxious faux-hawks, so why blame Auto-Tune.

It is the overuse of the tool by individuals that has given Antares the bad rap. Although a lot of people have blamed this tool on the decline of music, I feel that Antares isnвЂ™t even a fraction as liable as the public believes they are.

YouвЂ™ve guessed it, weвЂ™re dealing with Antares Auto-Tune. This product has made its way into pop culture nomenclature and has been responsible for more television reality starsвЂ™ music careers than just about any network executive.

Auto tune efx 3 vs auto tune live